
Volker Lehnert Photo: Martin Lutz
1956 | born in Saarbrücken |
1976-81 | Studied fine arts, art history and German language and literature at Johannes Gutenberg University, Mainz, Academy of Fine Arts |
1981 | Scholarship of the University of Mainz; Award of the International Senefelder Foundation for Lithography, Offenbach a. M. |
1982 | Graphic Art Prize of the Wilhelm Dröscher Foundation |
1988 | Sickingen Prize for Painting; Ramboux Prize for Painting |
1991 | Mainz Art Prize Iron Tower |
1996-2000 | Professorship for drawing at the Niederrhein University of Applied Sciences in Krefeld |
2000 ff. | Professorship at the State Academy of Fine Arts in Stuttgart, since 2007 Prorector |
2016 | Graphic prize in the competition "Linocut today" of the city of Bietigheim-Bissingen |
Lives and works in Stuttgart and Witten/Ruhr | |
Solo exhibitions (selection) | |
2020 | Lithographs, Gallery at the Kulturbahnhof, Saarbrücken |
2018 | Geläufiges Gelände. Scribble Baroque, Emschertal Museum Herne |
Back to the places, Museum Voswinckelshof, Dinslaken | |
2017 | Common terrain. Kritzelbarock, Richard Haizmann Museum, Niebüll |
Back to the places, Böblingen Art Association | |
2016 | Geläufiges Gelände. Kritzelbarock, Museum St.Wendel |
Large Enclosure. Printed works, Kunstverein Haus 8, Kiel, Germany | |
2014 | A little suspicion in forest pieces, Galerie Schlichtenmaier, Stuttgart/Grafenau |
2013 | Suspicion and hill, Kronacher Kunstverein |
2012 | Landscape with remnant of embrace, Lindau City Museum |
2011 | Sloping Rabbits.Italy Journeys, Eislingen Art Association |
Excursion into the mountains, Villa Goecke Ralph Kleinsimlinghaus Krefeld | |
2010 | The Rubble, Städt. Gallery Waiblingen |
Sloping Rabbits.Italy Journeys, Dortmunder Kunstverein | |
2009 | Scaffolding.Rubble. Painting 1989-2009, Richard-Haizmann-Museum, Niebüll, |
Märkisches Museum Witten | |
Unpredictable Places, Sparkasse Gallery at the Rossmarkt, Schweinfurt | |
2008 | Also a conspiracy in the terrain. Prints |
Works 2005-2008, Gallery of the City of Tuttlingen | |
2007 | Works on paper 1987-2007, Villa Goecke, Krefeld |
Jungle, Städt. Gallery Neunkirchen | |
2006 | Jungle, Egbert Baqué Contemporary Art, Berlin |
2005 | Wegelager, Reutlingen Art Association |
Automatenlauf, Artforum, Offenburg | |
2004 | Grosse Parkstücke, Saarland House of Artists, Saarbrücken |
2003 | Such bouncers and their entourage Printed works 1996-2002, |
Kunstverein Radolfzell, Kunstverein Mainz, City Museum Beckum | |
2001 | Strange Places, Saarland Museum Saarbrücken |
Municipal. Gallery Albstadt | |
1999 | Holding the line, Kunstverein Speyer (with Bettina van Haaren) |
Kunstverein Krefeld (with Bettina van Haaren) | |
1998 | The sources of Neptune, Museum Goch |
Maximilianpark, Hamm | |
Nettuno.Eine Folge, Foundation for Democracy, Saarbrücken | |
1995 | Tuscania, Museum St.Wendel |
1994 | Etchings, Art Association Emmerich |
1993 | Etchings, Art Association Bretten |
1991 | Styrofoam cuttings, Museum Xylon, Schwetzingen |
Group exhibitions (selection) | |
2020 | Dialogue with Yinchzuan, Yinchuan Interenational Printmaking Center |
in pairs, Städt. Museums Gera | |
On Paper, Schlichtenmaier Gallery, Stuttgart | |
Partner choice, Kunstforum Offenburg | |
The Etching, Bad Salzdetfurth Art Association | |
Artist couples, Schlichtenmaier Gallery, Stuttgart | |
Barcode, Association for Original Etching Munich | |
2019 | What's up, Gallery Schlichtenmaier Grafenau, Stuttgart |
Linocut today XI, Städt. Gallery Bietigheim-Bissingen | |
Elementar, Albstadt Art Museum | |
Blasenflieger, Municipal Gallery. Gallery Kirchheim/Teck | |
2018 | hot off the press, Verein für Originalradierung Munich and Neue Galerie Landshut |
Eigenwege, Städt. Gallery Kirchheim/Teck | |
Woodcut Now!, Reutlingen Art Museum and Art Association | |
Fontane 2000, Brandenburg State Parliament, Potsdam | |
2017 | sharply cut - linocuts from expressionism to the present, Museum Kulturspeicher Würzburg |
fabulous, Albstadt Art Museum | |
Stand der Dinge, Singen Art Museum | |
Paarweise, Art Association Ellwangen | |
fat and water, AKKU Stuttgart | |
2016 | Linocut today X, Städt. Gallery Bietigheim-Bissingen |
On the road, 125th anniversary of the Verein für Originalradierung Munich | |
Saarart11, 11th State Art Exhibition of Saarland | |
2015 | Neuland, Albstadt Art Museum |
Die Schärfe der Bilder, Städt. Gallery Bietigheim-Bissingen | |
Made in Germany - prints by Nine Contemporary Artists, Highpont Printmaking Center,Minneapolis, USA | |
Druckreif, Städt. Art Museum Reutlingen | |
Complex Relationships- Contemporary Positions, Schlichtenmaier Gallery, Dätzingen Castle | |
2014 | Praised and Forgotten, German Landscape Prints, Husum Castle |
Letterpress prints, Kunstverein Schorndorf | |
2013 | SaarArt, regional art exhibition, Museum St. Wendel |
decidedly indirect, Städt. Gallery Offenburg / City Museum Borken | |
Linocut today, Städt. Gallery Bietigheim-Bissingen | |
2012 | decidedly indirect, Städt. Art Museum Reutlingen, Richard-Haizmann-Museum Niebüll |
From the grounding, Städt. Gallery Geislingen | |
2011 | Stone-Print-Art, Gallery Stihl Waiblingen |
Voilà - Aka guest performance, State Gallery Stuttgart | |
Monotype, Association for Original Etching, Munich | |
2010 | Blossoms only when I come, Kunstverein Ellwangen |
2009 | XYLON, art museum and art association Reutlingen |
Mach' keine Oper, Museum of the City of Ratingen | |
references, city gallery Saarbrück | |
inventory, Pablo Picasso Museum of Graphics, Münster | |
2008 | inventory- etching in Germany, Kunstverein Reutlingen |
State Art Exhibition of Saarland, City Gallery Saarbrücken | |
Museum Ulm | |
2007 | XYLON, City Museum and Art Association Reutlingen |
Augenweite, Bruchsal Art Association | |
Saarland Artists' Association, City Gallery Saarbrücken | |
Free Hand 2, Egbert Baqué Contemporary Art, Berlin and Fukumitsu Art Museum, Horinji, Japan | |
2006 | Jamboree, Museum Goch |
2nd Biennial of Drawing Kunstverein Eislingen, Germany | |
2005 | XYLON, Städt. Art Museum Reutlingen/Museum Winterthur/ Niederrösterr. |
Center for Visual Arts St.Pölten | |
From A to Z, Städt. Gallery Karlsruhe | |
2004 | Relay, Kaiser-Friedrich-Museum Krefeld |
In the Moment, Museum Merzig | |
Painting, Württembergischer Kunstverein Stuttgart | |
2003 | kunst los, City Gallery Saarbrücken |
strokes against nothingness, Institut Mathildenhöhe Darmstadt | |
In Hand Thoughts, Museum Xylon, Schwetzingen | |
2002 | Interfaces - Woodcuts from Germany, Städt. Museum Reutlingen |
Woodcut today, Karlskaserne Ludwigsburg | |
Interfaces, Musée Perre Noel, St.Dié-des-Vosges | |
2001 | Zeitschnitt, Städt. Gallery Karlsruhe |
Before Nature, City Gallery Saarbrücken | |
Off Cuts, Royal Society of Painter-Printmakers, Bankside Gallery,London | |
2000 | Vom Holz, Städt. Museum Reutlingen |
Letterpresses, Art Association CH-Zofingen | |
Positions of Drawing in Saarland, Democracy Foundation, Saarbrücken | |
Art Scene Saar, Artist House Saarbrücken | |
1999 | German woodcuts, Museo Olevano Romano |
50 Artists from NRW, Yan Huang Art Museum Beijing | |
Correspondences, Kunsthalle Darmstadt | |
12th Triennial of Prints and Drawings, Frechen | |
PRENT 99, graphic fair NL- Nijmwegen | |
New Ways in Woodcut, Städt. Museum Reutlingen | |
1998 | Printed from stone - aspects of lithography today, Städt. Gallery Moers |
pro viele, City Gallery Saarbrücken | |
1997 | Augenweite, Museum St.Wendel |
State art exhibition, Museum St.Ingbert | |
Kunstverein Ludwigshafen | |
National of Drawing, Zeughaus Augsburg | |
1996 | The adornment of books, Museum Goch |
1995 | National art exhibition, Saarland Museum Saarbrücken |
Colors, City Gallery Saarbrücken | |
1994 | show signs - drawings of the 90s, Kunstverein Speyer |
Xylon, Erfurt Art Association and Museum Reutlingen | |
1993 | Hochdruckgrafik der Gegenwart", Städt. Gallery Moers |
Museum Haus Ludwig, Saarlouis | |
1992 | black and white, City Gallery Saarbrücken |
1991 | Similitudes et Différences, Saarland Museum Saarbrücken |
Villa Massimo, Wilhelm Hack Museum Ludwigshafen | |
Art Scene Saarland, Mainau Castle | |
1990 | Wilhelm-Hack-Museum, Ludwigshafen |
Mainz Art Association |
Volker Lehnert, professor and prorector at the Staatliche Akademie der Bildenden Künste Stuttgart, plays as an apparently uninvolved observer with various fields of perception or patterns of memory: Figure, landscape, architecture, which mix enigmatically as drawn internal structures with sometimes garishly iridescent, sometimes somber veils of color made of glazed pigmented egg tempera. In broadly conceived series, he seeks "the point where what is known, felt, and seen are brought together in the picture to form a unity." The scenic, surreal-looking depictions contain comic and Western motifs as well as military operations, which stand out in jungle-like or boulder-strewn surroundings in a stencil-like manner and thus in a partly ironic, partly critical refraction. Lehnert's formal interest can be seen in palimpsest-like or children's drawings imitating traces. In his more recent works, however, the figurative moments recede in favor of a more vegetative-abstract density.
Link to the artist's homepage:
www.volker-lehnert.de