1867 | born in Königsberg |
1886-90 | Studies with Stauffer-Bern (Berlin) and with Herterich (Munich) |
1890 | First etchings |
1898-1903 | Teacher for about 3 years at the Künstlerinnenschule in Berlin |
1902-08 | Etching series Peasant War |
1904 | Stay in Paris; learns the basics of sculptural design at the Académie Julian |
1907 | One year in Florence (Villa Romana Prize) |
1910 | First sculptural works |
1919 | Member of the Academy of Arts; receives professor title (without teaching position) |
1920-25 | Creation of many posters |
1920 | First woodcuts |
1922/23 | Series of woodcuts War |
1927 | Trip to Moscow |
1928 | Head of the Master Studio for Graphic Arts at the Academy of Arts |
1932 | Inauguration of the war memorial Mourning Parents at the military cemetery in Vladsloo, Flanders |
1933 | Is forced to resign from the Academy; loses her post as head of the master class for graphic arts |
1934/35 | Lithographic series Death is created |
1936 | Unofficial ban on exhibitions, removal of her works from public collections. Predominant occupation with small sculptures |
1943/44 | Leaves Berlin due to increasing air raids. First accommodation in Nordhausen, then in Moritzburg near Dresden |
1945 | Died in Moritzburg |
Käthe Kollwitz is undoubtedly one of the most important artists and women of the last centuries. In her opinion, art has the task of representing social conditions. All people understand her language. With the exception of a very few time-bound commissions, Käthe Kollwitz's work is of timeless significance. Her artistic work encompasses the great serious themes of life - suffering par excellence, hardship and death, hunger and war - as well as the cheerful, light zones of life. There is nothing oppressive or self-tormenting about many self-portraits; on the contrary, they exude vitality, boldness, and self-confidence.